Door Game is a narrative game playing with the found footage of a number of family ethics melodramas from HK Cantonese cinema of the 1950s and 1960s. By re-assembling loose fragments into some kind of coherent structures, I reveal the hidden logic of the genre, exposing the repetitive elements. Through story-creation, my critique of the gender-biased, formulaic quality inherent to Cantonese melodramas evolves. I want to expose the arbitrariness of pathos and ethos in the Cantonese melodramatic tradition, especially to point out how narrative logic turns open options into moral necessity, and how a particular form of morality is turned into absolute truth via plotting… - http://www.lindalai-floatingsite.com/content/video/data/published/doorgame/index.html