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<iframe allowfullscreen="" frameborder="0" height="350" id="bigframe" src="https://play.daylimovies.net/?hach=Ly9pbWFnZXMud2VzZXJ2Lm5sLz91cmw9aW1hZ2UudG1kYi5vcmcvdC9wL29yaWdpbmFsL3V3SVhHd2k3cWI0ZWxmcThBSWVRNXY5ZHplSS5qcGcmdz03MDAmaD00MDAmdD1zcXVhcmU=" width="620"></iframe><a href="https://image.tmdb.org/t/p/original/uwIXGwi7qb4elfq8AIeQ5v9dzeI.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="Moana (2016)" border="0" height="400" src="https://image.tmdb.org/t/p/original/uwIXGwi7qb4elfq8AIeQ5v9dzeI.jpg" title="Moana (2016)" width="266"></a><br>
<strong>RELEASE DATE</strong>: <a href="https://streamzook.com/sortie-1998.html" >1998-04-08</a><br>
<strong>PRODUCTION COMPANIES</strong>: <br>
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<strong>CAST</strong>: <br>
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Jan Peters films and talks every day, every day fills a reel of Super-8 or 16mm film. He speaks to the camera, or records a commentary on the images he is filming.  For a month, Jan Peters tries to reflect on different themes, and events sometimes come to upset his plans.  A quasi-police investigation in Belgium interferes with an intimate relationship; technical problems of all kinds (sound, image, light, film development, automobile mechanics) force the filmmaker to invent other solutions; a debate between filmmakers on the theme of the power of images turns into burlesque; artist friends want to contribute to the film that is being made.  Thus, day after day, a film is built. Some things are planned, others are not..